About

Working primarily in soft pastel, I create artwork in a style I describe as painterly realism, combining detail and atmosphere to capture the character, presence and individuality of each subject.
I am passionate about both British wildlife and traditional British farm animals, many of which are deeply connected to our rural identity and history. From brown hares and native birds to Lincoln Red cattle, Lincoln Longwool sheep, chickens, donkeys and goats, I aim to celebrate the beauty and importance of the animals found within Britain’s countryside. Through my work, I hope to encourage viewers to pause and reconnect with the natural world and farming heritage that exist on our doorsteps.
Prior to becoming a full-time artist, I worked as a primary school teacher before later managing our arable farm for eight years. Farming gave me a genuine understanding of rural life and a close connection to the animals and landscapes I now paint. After selling the farm, art became both a form of therapy and a new creative direction that gradually evolved into more than a hobby.
Although largely self-taught, I have developed my own techniques through years of experimentation with the pastel medium. I work on both Pastelmat paper and 100% linen canvas and have recently developed my own methods for applying soft pastel to linen canvas to achieve greater texture and depth.
My creative process usually begins with my own photography, allowing each artwork to develop from a personal encounter with the subject. The eyes are always my starting point, as I believe they create the strongest emotional connection between the artwork and the viewer.
Ultimately, my work is about celebrating the beauty, resilience and individuality of Britain’s wildlife and farming heritage, while encouraging a deeper appreciation for the countryside and the animals that shape it.